← All planets
personal planet
♂ Mars
Mars shows directed force: the capacity to cut, compete, defend, pursue and act before consensus has formed.
Conflict is one expression of Mars, not its whole meaning. The same placement can describe courage, stamina, technical precision or the clean use of anger.
52 sourced claims:
50
traditional
, 1
modern
, 1
contested
The planet in celestial magic
The chart meaning above and Agrippa's magical names are different kinds of information. Read the Mars planetary-magic page for its nature, numerical-square intelligence and source-specific angel lists.
Square intelligence: Graphiel
Agrippa's first-list angel: Khamael
Qabalistic association
In Hermetic Qabalah, Mars is assigned to
Geburah
(Severity). Follow the name to see the sources for that place on the Tree.
What the astrologers said about Mars in the houses
Opinions, not this study's and not findings. These were published around 1900 by astrologers writing for a Theosophical readership, and most English astrology since has been reading them. They are quoted rather than restated so the distance stays visible, and each one names its astrologer and its page.
-
Mars in the first house
Mars in the first house shows shortness of life and scars on the head or face; in the second poverty and troubles;
Rosa Baughan, The Influence of the Stars,
p. 267 — T. Fisher Unwin, London, fourth edition, 1889
· Project Gutenberg, ebook 42889
-
Mars in the fifth house
Mars in the fifth house denotes a very unsettled and inharmonious home life, in which discord and disputes are frequent.
Alan Leo, How to Judge a Nativity,
p. 174 — Modern Astrology Office, London, this printing 1928
· The 1928 printing, scanned
-
Mars in the seventh house
Mars in the seventh house when afflicted denotes quarrels and unpleasant conditions in the marriage state.
Alan Leo, How to Judge a Nativity,
p. 187 — Modern Astrology Office, London, this printing 1928
· The 1928 printing, scanned
-
Mars in the eighth house
Mars in the eighth house indicates a liability to a violent or sudden death. If much afflicted this is a very evil position, but Mars alone in this house will not kill the native, although the end whenever it comes will be sudden and after an illness of short duration or by shock or accident.
Alan Leo, How to Judge a Nativity,
p. 198 — Modern Astrology Office, London, this printing 1928
· The 1928 printing, scanned
-
Mars in the ninth house
Mars in the ninth house denotes an over-enthusiastic nature with regard to religious and philosophical subjects, and tends to destroy reason or to allow impulse and desire to overrule the mind. If much afflicted it gives fanatical, irregular, bigoted or sceptical opinions on religious matters; if well aspected a zealous and enterprising mind.
Alan Leo, How to Judge a Nativity,
p. 204 — Modern Astrology Office, London, this printing 1928
· The 1928 printing, scanned
-
Mars in the twelfth house
Mars in the twelfth house denotes strange and unfortunate adventures, in which grave dangers to the native are to be apprehended if he is shown to act more from impulse than reason; to decide this the position and aspects of Mercury must be studied.
Alan Leo, How to Judge a Nativity,
p. 228 — Modern Astrology Office, London, this printing 1928
· The 1928 printing, scanned
Leo's house book does not delineate every planet in every house, and this study refuses any passage whose scan has a word no dictionary holds. Where a house is not listed above, one of those two is why.
Who is quoted here, and who is not
Two astrologers, both writing around 1900:
Alan Leo, whose How to Judge a Nativity is the only
one of these books arranged as a lookup table — a paragraph per planet per
house — which is why everybody copied it; and Sepharial, who
arranged the same material by the question a reader brings rather than by
placement, so only a few of his judgements stand alone well enough to quote.
William Lilly is not here, and not because he was not asked.
Christian Astrology (1647) is the most important book in English on
the subject and this study holds it as a text already — but every scan of it is
long-s blackletter, and the OCR renders the title of its own first book as
“An Introduci ion to Aftrologje”. There is
nothing in it a reader could trust a quotation from. Ripley's
Compound of Alchymy and Anderson's Constitutions get
the same answer elsewhere in this study, for the same reason.