Practice · Tools · Ars Goetia
Pentagonal Figure of Solomon
A solar or lunar figure worn on the breast with the selected spirit's seal on its reverse.
What the source describes
The Goetia's pentagonal figure is an amuletic plate or parchment worn on the chest. The direction joins a general Solomonic design to the current spirit's individual character by placing that seal on the other side. This makes it a compound object: one face situates the operator under a general sacred figure, the other identifies the particular spirit addressed.
Historical setting
The Ars Goetia is the first part of the seventeenth-century Lemegeton compilation. Its diagrams and implements belong to that textual setting; attribution to Solomon is part of the work's traditional frame, not a historical authorship claim.
Common uses
It is worn during the operation for protection and command as the manuscript understands those purposes. Unlike the hexagonal figure at the skirt, it remains on the breast; unlike the lamen language in the catalogue, it is described as a named general figure with a spirit-specific reverse.
Form, materials and reconstruction
The text appoints the Sun or Moon for making it but gives fewer material details than it does for the hexagonal figure or Secret Seal. Its manuscript drawing and the selected spirit seal should be taken from the same documented textual context where possible.
Element: No fixed element
This source does not assign this particular instrument a fixed element. Its materials or effects should not be turned into an elemental correspondence without a named source.
Sources and variations
The word 'pentagonal' refers to this Goetic figure, not to every pentacle in the Greater Key and not to the Golden Dawn's quartered Earth disc.
Primary account used here
Lemegeton, Ars Goetia, 'The Pentagonal Figure of Solomon' ↗
Further references
- Lemegeton: manuscript introduction ↗Places the Goetia within the larger five-part compilation and identifies the manuscripts used.
- Key of Knowledge, Add. MS. 36674 ↗A related Solomonic witness for comparing circles, instruments and ritual layout without treating the texts as identical.