What the card shows
Children in an old garden, their cups filled with flowers.
cups
Six
Six of Cups
Suit: Cups Minor Arcana Element: Water
Also known as Six of Chalices.
Core interpretation
Six of Cups: memory, childhood and the emotional influence of the past. The card joins the water nature of Cups to its place in the numbered sequence.
The card's place in the historical Minor Arcana sits beside its Golden Dawn correspondences and Waite's account of Pamela Colman Smith's image. Each reading keeps the source and deck that gave it shape.
8 sourced claims: 5 traditional , 3 modern
In the Rider–Waite–Smith deck
The meanings are Waite's own words from The Pictorial Key to the Tarot. They belong to one influential school of reading and do not exhaust what the cards have meant in other hands.
Divinatory meaning
- Upright
- A card of the past and of memories, looking back, as— for example— on childhood; happiness, enjoyment, but coming rather from the past; things that have vanished. Another reading reverses this, giving new relations, new knowledge, new environment, and then the children are disporting in an unfamiliar precinct.
- Reversed
- The future, renewal, that which will come to pass presently.
A. E. Waite and Pamela Colman Smith, Rider–Waite–Smith — Part III, §2, The Lesser Arcana — Six of Cups.
The same card in the Thoth deck
Six of Cups · Pleasure
What the card shows
ModernTwo children meet in an old garden among cups filled with white flowers, watched over by buildings and an older figure.
A concise visual description of Pamela Colman Smith's 1910 design, checked against Waite's card entry and the public-domain scan.
Divinatory meaning
ModernUpright, Waite associates the card with the past, childhood memories and happiness recalled from what has vanished. Reversed, it can shift toward the future, renewal and events soon to arrive.
Waite treats these as historical divinatory allocations and explicitly warns that they vary by context and are not a universal symbolic canon.
Tree of Life number
In the Golden Dawn system, all four Sixes share a numerical relationship with one Hermetic Sephirah.
Golden Dawn correspondences 5 sourced claims
Book T's formal title, Tree or elemental place, astrological attribution, and characteristic reading. This is the system used by the Hermetic Tree.
The Lord of Pleasure
Book T's formal decan-card title.
Sources (1)
- Book T , Mathers, c. 1888 (Golden Dawn internal) — Titles of the decan cards, pp. 4–5; Six of Cups, pp. 28–46
Water · Cups
Cups express the powers of Water: receptivity, relationship, imagination, pleasure and emotional experience.
Sources (1)
- Book T , Mathers, c. 1888 (Golden Dawn internal) — Titles and descriptions of the four suits, pp. 3–23
Tiphareth · Beauty
The Sixes bring the work into a clear, coherent accomplishment. What was contested in the Five has carried through to a result.
Sources (1)
- Book T , Mathers, c. 1888 (Golden Dawn internal) — General meanings of the small cards under the Sephiroth, p. 27
Sun in Scorpio
Book T assigns each pip card from Two through Ten to one ten-degree decan of the zodiac.
Sources (1)
- Book T , Mathers, c. 1888 (Golden Dawn internal) — Of the Thirty-Six Decans, pp. 23–27; Six of Cups, pp. 28–46
Pleasure begins a steady increase, although pride or self-assertion can complicate the enjoyment.
A concise paraphrase of Book T. Its dignity method modifies every decan card through the cards surrounding it.
Sources (1)
- Book T , Mathers, c. 1888 (Golden Dawn internal) — The Lord of Pleasure, Six of Cups, pp. 28–46
History and variants 1 sourced claim
Historical context and places where influential decks or occult systems differ.
One of the fifty-six suit cards in a standard Tarot pack: four suits of ten pip cards and four court cards.
The Met documents this structure in surviving fifteenth-century Tarot: Cups, Swords, Batons and Coins, each numbered from one to ten with king, queen, knight and knave. Occult correspondences developed later.
Sources (1)
- Before Fortune-Telling: The History and Structure of Tarot Cards , Metropolitan Museum of Art online article, 2016 — paragraphs 2–4