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The Celtic Cross

Waite's method, published 1911

Ten cards for a definite question: six form a cross around the matter, while four rise at the right to show the querent's place in it and where it leads.

  • Cards 10
  • Laid In a fixed shape
  • Where it comes from A published method

Ask something and deal this spread

1 2 3 4 5 6 7 8 9 10
10 cards, in the order they are laid. The turned card lies across the one beneath it.

Reading the shape

For many readers, this is the shape of a tarot reading: a cross of six cards beside a staff of four. Its familiar name hides a less certain history.

It reaches print in 1911, in Waite's Pictorial Key to the Tarot, under the heading "An Ancient Celtic Method of Divination". Yet Celtic appears only in the table of contents and running head. Waite's account never calls the method ancient or connects it with the Celts.

What he does say, in the section immediately before it, is this: he is offering "a short process which has been used privately for many years past in England, Scotland and Ireland", and he does not think it has been published, "certainly not in connexion with Tarot cards". That is a claim about a private practice then current in the British Isles. The surviving text does not tell us whether Waite learned the layout as given, adapted it, or devised it himself.

Six cards gather around the question: what covers and crosses it, what lies above and below, and what passes behind and comes before. Four more climb a staff at the right: the querent, their surroundings, their hopes or fears, and the issue. The cross reads the matter; the staff reads the person standing within it.

How it is laid

Waite begins with a Significator, a face-up card chosen to stand for the person or matter. His rules match court cards to age, appearance and temperament.

He then says to "shuffle and cut the rest of the pack three times, keeping the faces of the cards downwards", and turn up the ten in order, each with its own phrase — this covers him, this crosses him, and so on.

Here the Significator is optional and the ten positions remain unchanged. The digital shuffle uses repeated riffles and cuts, since three cuts alone do not mix a pack.

What each place asks

  1. This covers him This card gives the influence which is affecting the person or matter of inquiry generally, the atmosphere of it in which the other currents work.
  2. This crosses him It shews the nature of the obstacles in the matter. If it is a favourable card, the opposing forces will not be serious, or it may indicate that something good in itself will not be productive of good in the particular connexion.
  3. This crowns him It represents (a) the Querent's aim or ideal in the matter; (b) the best that can be achieved under the circumstances, but that which has not yet been made actual.
  4. This is beneath him It shews the foundation or basis of the matter, that which has already passed into actuality and which the Significator has made his own.
  5. This is behind him It gives the influence that is just passed, or is now passing away.
  6. This is before him It shews the influence that is coming into action and will operate in the near future.
  7. Himself Signifies himself — that is, the Significator, whether person or thing — and shews its position or attitude in the circumstances.
  8. His house Signifies his environment and the tendencies at work therein which have an effect on the matter — for instance, his position in life, the influence of immediate friends, and so forth.
  9. His hopes or fears Gives his hopes or fears in the matter.
  10. What will come The final result, the culmination which is brought about by the influences shewn by the other cards that have been turned up in the divination.

Where it comes from

The position meanings below are Waite's own words, quoted from The Pictorial Key to the Tarot, Part III §7.

Historical attestation

First published by A. E. Waite in 1911 under the heading "An Ancient Celtic Method of Divination".

The earliest located printed description. Waite offers it beside a second method drawn from the French Oracles of Julia Orsini.

Sources (1)
  1. The Pictorial Key to the Tarot , Illustrated edition, William Rider & Son, 1922 — Part III §7

    The section that sets the method out card by card.

    Read at wikisource.org ↗

Traditional source

Historical attestation: First published by A. E. Waite in 1911 under the heading "An Ancient Celtic Method of Divination".

  1. The Pictorial Key to the Tarot , Illustrated edition, William Rider & Son, 1922 — Part III §7

    The section that sets the method out card by card.

    Read at wikisource.org ↗

Attribution variant contested

Waite's own text does not call the method Celtic or ancient. He describes it as a private practice of England, Scotland and Ireland that he believes to be unpublished.

The word Celtic occurs three times in the whole book — the table of contents and two running heads — and never in Waite's prose. The popular attribution rests on the heading alone.

Sources (1)
  1. The Pictorial Key to the Tarot , Illustrated edition, William Rider & Son, 1922 — Part III §6, introducing the methods
    “I offer in the first place a short process which has been used privately for many years past in England, Scotland and Ireland. I do not think that it has been published — certainly not in connexion with Tarot cards.”

    Transcribed from the section immediately preceding the Celtic method.

    Read at wikisource.org ↗