A traveller steps lightly at the world's edge, carrying little and looking upward. The Fool brings openness, nerve and the freedom to begin, with the old warning that trust can slip into heedlessness.
A card carries more than one history. Its place in the tarot pack, Golden Dawn path, Rider–Waite–Smith reading and later variants are kept beside their own sources, since the same name can do different work in different decks.
Its trumps are Roman and biblical figures with their own names and no evident relation to the allegories the other decks share. They are filed here beside the standard trumps because they occupy the same numbered slots, which is a statement about position and nothing else.
This deck calls the card Mato;
it is filed here as The Fool.
This deck's book publishes no upright and reversed lists, so none are shown.
Its account of the card is cited below rather than reproduced.
What this deck does differently
The 1491 deck names this trump Mato. Its subject is not The Fool under another name — the Sola Busca trumps are Roman and biblical figures, and they share only the number. Unnumbered, like the Fool it stands beside in the sequence.
Unknown engraver, hand-coloured, Sola Busca — British Museum, Sola-Busca tarot.
A richly dressed youth pauses at a precipice with a rose, staff, wallet, and leaping dog, portrayed by Waite as a spirit entering experience.
A concise paraphrase of Waite's published explanation of the Pamela Colman Smith design, not a universal description of all historical decks.
Divinatory meaning
Modern
Upright, Waite associates The Fool with spontaneity that can become folly, extravagance or heedlessness. Reversed, the card points more toward negligence, apathy, absence or vanity.
Waite himself warns that many fortune-telling allocations are artificial and arbitrary; these are historical Rider–Waite–Smith meanings, not assertions of fact.
Historical context and places where influential decks or occult systems differ.
Historical context
One of the twenty-one figured trumps plus the Fool found beside the four ordinary suits in historical tarot packs.
Museum history dates the earliest documentary references to the 1440s–1450s in northern Italy and identifies tarot's original use as a trick-taking game. The occult-Qabalistic reading is later.
Sources (1)
Before Fortune-Telling: The History and Structure of Tarot Cards, Metropolitan Museum of Art online article, 2016 — paragraphs 1–4