Lady Frieda Harris painted the deck between 1938 and 1943; it was first published in 1969, seven years after her death in 1962. The paintings remain in copyright until 2032 in the UK and EU and 2064 in the United States, so no card images or substitutes appear here.
The Princess of the Shining Flame; the Rose of the Palace of Fire
Suit:
Wands
·
Minor Arcana
·
Element: Fire
Also known as Page of Rods, Page of Staffs, Page of Staves, and Page of Batons.
Core interpretation
Page of Wands: news, curiosity and the youthful expression of fire. The card joins the fire nature of Wands to its courtly role.
The card's place in the historical Minor Arcana sits beside its Golden Dawn correspondences and Waite's account of Pamela Colman Smith's image. Each reading keeps the source and deck that gave it shape.
8 sourced claims:5traditional
, 3modern
In the Thoth deck
The Book of Thoth remains in copyright. The catalogue therefore gives the deck's titles, ranks and numbering beside the Golden Dawn material it inherits, while citing Crowley by page without reproducing his text.
This deck calls the card Princess of Wands;
it is filed here as Page of Wands.
This deck's book publishes no upright and reversed lists, so none are shown.
Its account of the card is cited below rather than reproduced.
What this deck does differently
The card is indexed as the Page of Wands; Book T ranks it Princess, while the Thoth deck prints Princess. Its Golden Dawn place is Princess / final Heh · Earth of Fire. Book T titles it The Princess of the Shining Flame; the Rose of the Palace of Fire.
Aleister Crowley and Lady Frieda Harris, Thoth — Part Three: The Court Cards.
A richly dressed youth stands in a barren landscape and studies a tall budding wand as if preparing to make an announcement.
A concise visual description of Pamela Colman Smith's 1910 design, checked against Waite's card entry and the public-domain scan.
Divinatory meaning
Modern
Upright, Waite associates the Page with a faithful messenger, favourable testimony, family news and the active qualities of Wands. Reversed, the card can indicate bad news, indecision or instability.
Waite treats these as historical divinatory allocations and explicitly warns that they vary by context and are not a universal symbolic canon.
Court-card structure
Court cards are organised by rank, suit and elemental composition in Book T.
They are listed separately because the source does not assign them to the
numbered sephiroth in the way it assigns the pip cards.
Book T uses King for the mounted figure now usually called Knight, Prince for the figure now usually called King, and Princess for the Page or Knave. The source's role is preserved here rather than silently modernised.
Sources (1)
Book T, Mathers, c. 1888 (Golden Dawn internal) — The Sixteen or Royal Cards, pp. 11–12; The Princess of the Shining Flame; the Rose of the Palace of Fire, pp. 12–21
Historical context and places where influential decks or occult systems differ.
Historical context
One of the fifty-six suit cards in a standard Tarot pack: four suits of ten pip cards and four court cards.
The Met documents this structure in surviving fifteenth-century Tarot: Cups, Swords, Batons and Coins, each numbered from one to ten with king, queen, knight and knave. Occult correspondences developed later.
Sources (1)
Before Fortune-Telling: The History and Structure of Tarot Cards, Metropolitan Museum of Art online article, 2016 — paragraphs 2–4