Lady Frieda Harris painted the deck between 1938 and 1943; it was first published in 1969, seven years after her death in 1962. The paintings remain in copyright until 2032 in the UK and EU and 2064 in the United States, so no card images or substitutes appear here.
Strength meets the lion without violence. Courage here is patient, intimate mastery: instinct and passion are guided into accord, not crushed into silence.
A card carries more than one history. Its place in the tarot pack, Golden Dawn path, Rider–Waite–Smith reading and later variants are kept beside their own sources, since the same name can do different work in different decks.
The Book of Thoth remains in copyright. The catalogue therefore gives the deck's titles, ranks and numbering beside the Golden Dawn material it inherits, while citing Crowley by page without reproducing his text.
This deck calls the card Lust;
it is filed here as Strength
and numbers it
XI.
This deck's book publishes no upright and reversed lists, so none are shown.
Its account of the card is cited below rather than reproduced.
What this deck does differently
The Thoth deck calls this card Lust rather than Strength. Crowley numbers it XI, restoring the older order, while keeping the inherited Hebrew letter and sign: ט · Teth, Leo. The numeral and the attribution disagree on purpose. Book T titles it The Daughter of the Flaming Sword.
Aleister Crowley and Lady Frieda Harris, Thoth — Part Two: The Atu (Keys or Trumps).
A woman gently closes a lion's jaws beneath an infinity sign; a floral chain makes control an image of beneficent fortitude and inward union.
A concise paraphrase of Waite's published explanation of the Pamela Colman Smith design, not a universal description of all historical decks.
Divinatory meaning
Modern
Upright, Waite associates Strength with energy, courage, generous action, success and honour. Reversed, the card warns of weakness, discord, despotism or power used without inner balance.
Waite himself warns that many fortune-telling allocations are artificial and arbitrary; these are historical Rider–Waite–Smith meanings, not assertions of fact.
Historical context and places where influential decks or occult systems differ.
Historical context
One of the twenty-one figured trumps plus the Fool found beside the four ordinary suits in historical tarot packs.
Museum history dates the earliest documentary references to the 1440s–1450s in northern Italy and identifies tarot's original use as a trick-taking game. The occult-Qabalistic reading is later.
Sources (1)
Before Fortune-Telling: The History and Structure of Tarot Cards, Metropolitan Museum of Art online article, 2016 — paragraphs 1–4
Before Fortune-Telling: The History and Structure of Tarot Cards, Metropolitan Museum of Art online article, 2016 — Visconti-Sforza trump sequence · contradicts