Lady Frieda Harris painted the deck between 1938 and 1943; it was first published in 1969, seven years after her death in 1962. The paintings remain in copyright until 2032 in the UK and EU and 2064 in the United States, so no card images or substitutes appear here.
The Daughter of the Lords of Truth; the Ruler of the Balance
Suit:
Trumps
·
Major Arcana
Core interpretation
Justice holds the sword and scales: judgment joined to proportion. The card asks what is due, what follows from an action, and whether the matter is being weighed without favour or distortion.
A card carries more than one history. Its place in the tarot pack, Golden Dawn path, Rider–Waite–Smith reading and later variants are kept beside their own sources, since the same name can do different work in different decks.
The Book of Thoth remains in copyright. The catalogue therefore gives the deck's titles, ranks and numbering beside the Golden Dawn material it inherits, while citing Crowley by page without reproducing his text.
This deck calls the card Adjustment;
it is filed here as Justice
and numbers it
VIII.
This deck's book publishes no upright and reversed lists, so none are shown.
Its account of the card is cited below rather than reproduced.
What this deck does differently
The Thoth deck calls this card Adjustment rather than Justice. Crowley numbers it VIII, restoring the older order, while keeping the inherited Hebrew letter and sign: ל · Lamed, Libra. The numeral and the attribution disagree on purpose. Book T titles it The Daughter of the Lords of Truth; the Ruler of the Balance.
Aleister Crowley and Lady Frieda Harris, Thoth — Part Two: The Atu (Keys or Trumps).
A seated figure bears upright sword and scales between pillars, distinguishing moral consequence from the High Priestess's hidden order.
A concise paraphrase of Waite's published explanation of the Pamela Colman Smith design, not a universal description of all historical decks.
Divinatory meaning
Modern
Upright, Waite associates Justice with equity, right conduct, integrity, sound judgment and receiving what a situation merits. Reversed, the card can indicate legal complications, bias or severity applied without proportion.
Waite himself warns that many fortune-telling allocations are artificial and arbitrary; these are historical Rider–Waite–Smith meanings, not assertions of fact.
Historical context and places where influential decks or occult systems differ.
Historical context
One of the twenty-one figured trumps plus the Fool found beside the four ordinary suits in historical tarot packs.
Museum history dates the earliest documentary references to the 1440s–1450s in northern Italy and identifies tarot's original use as a trick-taking game. The occult-Qabalistic reading is later.
Sources (1)
Before Fortune-Telling: The History and Structure of Tarot Cards, Metropolitan Museum of Art online article, 2016 — paragraphs 1–4
Before Fortune-Telling: The History and Structure of Tarot Cards, Metropolitan Museum of Art online article, 2016 — Visconti-Sforza trump sequence · contradicts